In her letters Jane writes of visiting the Wedgwood showrooms in London and in one gleeful missive to her sister Cassandra in June 1811, she writes ‘I had the pleasure of receiving, unpacking, and approving our Wedgwood ware’ and anticipates the arrival of a new Wedgwood breakfast set for their mother, ‘I hope it will come by the waggon to-morrow; it is certainly what we want, and I long to know what it is like’.
Category: The Pottery Industry
Sir Smith Child (1808-1896)
A portrait of Sir Smith Child painted by John Nash Peake.
During the 19th century, Sir Smith Child was the most generous philanthropist in North Staffordshire. He used his vast wealth to support hospitals, build schools and churches, fight poverty and help handicapped children.
Although many historians think that his family name was Smith Child, it wasn’t. Smith was his Christian name and Smith was his surname. Smith Child was born at Newfield Hall, Tunstall, on 5 March 1808. His grandfather was Admiral Smith Child, who was a partner in Child & Clive. The firm owned Newfield Pottery and Clanway Colliery, where it mined coal and ironstone.
Smith’s parents were John George and Elizabeth Child, née Parsons. When his father died in 1811, he became heir to the Newfield estate and other estates owned by his grandfather.
Smith was educated at St. John’s College, Cambridge.
On 28 January 1835, he married Sarah Hill, an heiress, at Fulford Church. The couple had three children – two boys and a girl. The family lived at Newfield Hall until 1841, when they moved to Rownall Hall, Wetley. Sarah’s father, Richard Clarke Hill, who owned Stallington Hall, died in 1853, and the Childs decided to live there.
Smith took a keen interest in politics. He was a Conservative. In 1851, he became the Member of Parliament for North Staffordshire and held the seat until 1859.
In 1868, Smith was made a baronet.
He stood for Parliament again. He won the election and was returned to Westminster as the Member for West Staffordshire. A seat he held until 1874, when he retired from politics.
Smith was a philanthropist who took a keen interest in the welfare of disadvantaged individuals. He used his wealth to support local charities that were helping those in need.
He provided financial assistance to the North Staffordshire Infirmary at Etruria and made an annual donation to its general fund. Smith was a member of the hospital’s management committee and served as its president on three occasions. As well as making an annual donation, he contributed to the infirmary’s special funds. The management committee decided to close the infirmary at Etruria and build a new one at Hartshill. It launched a public appeal to raise money to finance the project. A building fund was created, and Smith contributed £1,500. When the Victoria Wards were being erected, he gave £250 towards the cost.
After one of his sons died, Smith built and endowed the Smith Hill Child Memorial Hospital. The hospital, erected in the grounds of the infirmary, was designed to care for patients who were incurable. The infirmary did not have the resources to care for incurable patients, and the project was abandoned. The building was used as a nurses’ home until 1877, when it was converted into a children’s hospital.
In 1875, Smith founded a charity that sent patients who were convalescing to convalescent homes. He endowed the charity with £6,500. The money was invested in securities. The income from these securities was used to send hundreds of men, women and children to seaside convalescent homes.
Smith realised that the pottery industry’s future depended on vocational training.
He was one of the founders of the Wedgwood Institute and organised competitions that awarded prizes to industrial designers. To encourage sales representatives to study foreign languages, he gave prizes to those learning to speak French, German or Spanish.
Although he left Newfield Hall in 1841, Smith retained an interest in Tunstall and its citizens’ welfare. He always referred to people living there as his friends and neighbours.
His first gift to Tunstall was £100, which was given to help finance the construction of Christ Church. He gave £50 when the church appealed for money to build a National School. The appeal was successful, and the school was built in King Street (Madison Street). When St. Mary’s Church launched an appeal to raise money to build a school, he gave £100.
Smith built the church schools in Goldenhill and created a charity to support all church schools in Tunstall and Goldenhill. He helped finance the construction of St. John’s Church in Goldenhill and endowed it with £1,000.
During the 1880s, he made donations to help regenerate Christ Church and St. Mary’s Church. In 1884, he established a workingman’s temperance club at Calver House in Well Street (Roundwell Street).
Six years later, in 1890, he founded the Tunstall Nursing Association. The association was a charity. It employed trained community nurses, who provided free medical care to patients being treated at home.
Tunstall publicly recognised Smith’s generosity in 1893. The clock tower in Market Square (Tower Square) was erected to make sure that he would never be forgotten.
Smith was to ill to attend the tower’s unveiling ceremony. His health continued to decline. He died three years later and was buried in Fulford churchyard
If you and your family worshipped at St. Mary’s or you were at pupil at the school, please use Comments to share your memories with us.
Sir Smith Child (1808-1896) was written by Betty Martin before she died in 2023. More articles she wrote posted periodically.
The Potteries in the 1790s
A Description of the Country From Thirty to Forty Miles Round Manchester, a book published in 1795, was compiled by Dr John Aikin. The book tells us about Newcastle-under-Lyme and North Staffordshire’s pottery towns and villages in the 1790s.
This edited extract from the book describes the Potteries in the 1790s.
The Staffordshire Potteries commence about a mile from the Cheshire border at a village called Goldenhill.
From there it extends to Lane End [Longton], a distance of more than seven miles. Many of the towns and villages that form the Potteries are linked by houses and factories. The traveller is left with the impression that he is journeying through one town with different names. Manufacturing pottery is the primary business of this extensive and populous area. It is believed that the number of inhabitants or houses has increased threefold over the last twenty years. The towns and villages that make up the Potteries are likely to merge to create one town with one name. Many people who live nearby already call the area The Pottery.
North Staffordshire’s Industrial Landscape Merits World Heritage Site Status
There are no historical reasons to prevent North Staffordshire’s Industrial Landscape from becoming a World Heritage Site.
In the 18th century, North Staffordshire helped to make England “the workshop of the world.” Local entrepreneurs, like Wedgwood and Adams, transformed a group of small towns into an industrial area of international importance.
James Brindley’s Trent & Mersey Canal “kick-started” the Industrial Revolution, which made Britain “the Workshop of the World. The canal and railway tunnels between Kidsgrove and Chatterley are significant feats of civil engineering. They merit World Heritage Site status in their own right.
The Primitive Methodist Church was founded in North Staffordshire by Hugh Bourne and William Clowes. It gave the Potteries its unique culture and a way of life that Arnold Bennett vividly portrayed in his novels.
Burslem’s “old town hall” is one of the finest examples of Victorian civic architecture. The Wedgwood Institute’s terracotta facade is an inspiring tribute to the men, women and children who worked in local industries.
The former colliery at Chatterley Whitfield should have been made a World Heritage Site many years ago.
Making North Staffordshire’s Industrial Landscape a World Heritage Site would encourage economic regeneration and create new employment opportunities.
Tunstall’s 18th Century Pottery Industry
Some jasper made at Adams’ Greengates Pottery in Tunstall was equal to, if not superior to, jasper made by Wedgwood at Etruria
William Adams’ Greengates Pottery in Tunstall.
During the 18th century, the Industrial Revolution changed the face of Britain, making it the ‘workshop of the world’.
Earthenware factories were built in Tunstall, a township that included Sandyford, Newfield and Furlong. At the end of the 18th century, there were seven factories making pottery. Small coal and ironstone mines were scattered throughout the district. Blue bricks and tiles were made in the Chatterley Valley.
As early as 1735, William Simpson was making earthenware in the township. By 1750, Enoch Booth had a factory near a field called Stony Croft. The factory made cream coloured ware glazed with a mixture of lead ore and ground flint.
In 1763, Admiral Smith Child built Newfield Pottery, where he produced earthenware. By the 1780s, two brothers, Samuel and Thomas Cartlich, were making pottery and mining coal at Sandyford. There were brick kilns, coal mines, a flint mill and a crate maker’s workshop at Furlong.
During the 1740s, George Booth and his son Thomas leased a pottery factory. on an estate called Will Flats, next to Furlong Lane. In 1779, Burslem pottery manufacturer William Adams rented the factory and part of the estate.
On 1 March 1784, William purchased the factory and the land he had been renting. He changed the estate’s name from Will Flats to Greengates and demolished the old factory.
William built Greengates Pottery (shown above), where he made high-quality stoneware and jasper ornaments for the luxury market. He employed Swiss modeller Joseph Mongolot. Joseph helped him create models for moulds to produce the bas-reliefs for jasper and stoneware.
Pottery produced by William was sold to wealthy customers. Some purchased ware from his showrooms in Fleet Street, London. Others visited the Greengates factory’s showrooms where they bought tea sets, dinner services, jasper, and stoneware ornaments.
In his book, Marks and Monograms on Pottery and Porcelain, William Chaffer mentioned the quality of Adams’ jasper. He said some of it was “equal to, if not superior to” jasper made at Etruria by Wedgwood.
Revised: July 2025
North Staffordshire Heritage 